Feeds:
Posts
Comments

Posts Tagged ‘oil painting’

 

Big Brother, new photo

 

 

Little Brother, new photo

 

I took a look at the paintings again and realized just how off the photos I posted really were.  I guess that’s what you get for trying to get things done in a rush through nap time! So I took new photos in the morning light in my living room with it’s great big windows, and NOT in my studio, and I think the result is much better.  The other photos gave  the impression that the colors were a bit harsh and dark, when in fact they are soft and creamy….yes I know that sounds strange but those are the best words I can think of.  Even these photos aren’t PERFECT…man it is hard to take a perfect match photo of your painting, even with all the help of Lightroom.  Little Brother looks good, but the chair in the photo of Big Brother has a slight green hue to it that I can not explain.  In the painting it is a cream with a hint of yellow, perfectly matching Little Brother’s chair.  Oh well, I tried my best. At least these give you a much  better look at the real deal.

Read Full Post »

 

Big Brother

 

 

Little Brother

 

What did I tell you? I said I’d finish them in a week, and amazingly enough, I did. In spite of Owen being sick, and my husband being away, I put the finishing touches on the portraits Friday night.  Although I might have my husband retake the photos when he gets back, because Little brother is a bit blurry, and I’m not sure if the colors aren’t slightly off from the actual paintings.  I think the paintings are a little bit brighter than their photos.  Anyway, I’m really pleased with how the paintings turned out.

 

Read Full Post »

 

Big Brother

 

 

Little Brother

 

It’s taken me far longer than planned to post photos of these works in progress.

The first reason is I got delayed in the middle of painting when I ran out of white paint and painting medium. Yes, water soluble oil colors can be mixed with water, but the result is awful! If you want them to look like the real thing, use linseed or almond oil.  Anyway,  as anyone living here will tell you, the mail here is unpredictable…I was put out of work for a few weeks.  Taught me a lesson though…I will stay fully stocked at all times!

The second reason/excuse is just me.  I didn’t want to post them because they didn’t look good enough to me yet.  I can see how they are going to look, I know what my next moves are, but how can anyone else see that? Especially the clients?

I guess it takes some guts.   But for the record, let me just say that they both need more work in the hair, especially little brother, and that I need to put the shadow into the left side of big brother’s face, I think. I keep putting it in and taking it out, because it somehow makes him look older, but I need it there for the source of light.  I’ve also spent a lot more time on big brother, so it is more finished looking.  But man, for some reason this was one of the hardest portraits I have ever painted. I haven’t even kept track of the amount of hours I have put into it, I don’t think I can handle the truth!  Something about this kid’s face is hard to capture, not only his bone structure, but that sweet, yet slightly shy, slightly mischievious grin.  Am I over thinking it maybe? Hmmm, I do tend to do that.  I’m working on it.  But I think it will really look like him when I put in the freckles, don’t you?

I also am trying to create a dynamic between the two paintings with the poses of the boys; how big brother is sinking into the chair and little brother is jumping out of the chair.  When I finish them, I want that to really stand out, so the paintings work as a pair, with a sense of movement and play.

Oh yeah and I need to fix the eye color on both paintings.  And of course, paint the shirts (no it will not be that awful green, I’m working on it).

So here they are, my guess about a week from being finished.

Read Full Post »

Outtakes

Hello out there, I’m back!  Yes, I took a rather long summer hiatus, but I’m back, ready to work and tell you all about it.   I’m happy to say I have a few projects lined up, starting with two portraits of these adorable brothers.   I thought I would wait to post something until I’d actually started the paintings, but since I’ve been so delayed in getting back to work, I decided to do a quickie sneak peak blog with the photographs I will be using and some of the outtakes.

Big Brother/Outtake 1

Big Brother/Outtake 2

Big Brother/ For Portrait

Seriously, I could write an entire book on how difficult and hysterical it is to take portraits of kids.  I invited them over thinking it would be easy.  I have a great camera, and I could just stick them in a neutral colored chair with some good lighting and click and click until something turned out.  But even with the most delightful and well behaved children (and these boys are really amazing) it is quite a job to get them to sit still and smile and look at the camera, all at once.

But I would really like to think that, despite a dozen blurry photographs, something turned out.  I think I got two images that really capture the personalities of these little men…and a few cute outtakes, to boot.

Little Brother/Outtake

Little Brother/For Portrait

Now let’s see what I can do with them on canvas…

Read Full Post »

Self Portrait in Blue

I guess I’m going through a blue period.  Who do I think I am, right?

I started this painting Saturday night and it’s about two hours in.  I know I’ve said this before but I want to keep this one rough.  I don’t just mean unpolished, I mean I’m going to live with the mistakes.  I keep meaning to do this but I don’t. I spent more time on the painting of Tom then I’d meant to.  I was supposed to just hash it out, but I can’t help myself.   I finished his right eye only to realize it wasn’t quite placed correctly and painted over it completely…things like that.

But lets be honest.  This is about more than art.  I want to be unpolished, to revel in it.   Dare I say this on Vida Viva? I am growing tired of certain aspects of Latin culture.  And truly, I believe it’s because I’m in Caracas.  I would never speak this way about my beloved Bogotá.  But this is the land of beauty queens, and, well, we have different concepts of beauty.

However…I was reminded today of Cezanne.  When he started out his career, he went to Paris, and did his best to fit in with the art crowd. He was from a rural part of France and they just didn’t get him at all.  Finally he realized he couldn’t try to be someone he wasn’t and said screw ’em and went back to the country, where he did kick ass work for the rest of his life.  Fine, so maybe that’s the Cliff Notes version of his life, but it’s true.

I always remember this when I realize an external pressure is causing me to drift away from who I really am.  Or at 25 perhaps I should say, who I really want to be.

Read Full Post »

My Favorite Face

"Tom" Acrylic background on wood with image painted in oil. 26.5" x 11.5"

This is my favorite face.  You might mistake this statement as a slight to our son, Owen, but on the contrary.  He is the proud owner of a perhaps even more lovely duplicate.   Tom has some strong genes, wouldn’t you say?  You might. But allow me to provide you with my alternate explanation…

I am a painter.  Every part of me is a painter.  Not just my hands.  Not just my eyes.  But my whole body.

I met Tom when I was nineteen years old.  That is when I began memorizing my favorite face.  Taking  it in  nearly every day.  When I was twenty-two, we got married.  Nearly every day became every day,  and eventually I could paint his face with my eyes closed.  Just before my twenty-fourth birthday, I discovered I was pregnant.  I believe this is when the painter in my belly got to work, recreating the face it knew by heart.

And yet, there is something uniquely “Owen” about Owen.  Yes, he does have my ears, but there is something there that is not Tom, and not me.  Something brand new.

My paintings are not recreations of people.  At their best, they are merely “about” someone.  No matter how much command I might feel I possess over my brush, at some point in the process, most often unwittingly, I loose the upper hand for a moment.  The painting has a life of its own, and it goes, ever so slightly, in it’s own direction. Every painting I have ever done has something about it that I feel just happened, inexplicably. Maybe this is part of the process.  Maybe this is what happened to the painter in my belly.

Either way, this is a face I am happy to see two of every day.  Expect to see many more paintings of both of them in the future.

Read Full Post »

Work in progress…

As I wrote last week, I am in the process of finishing unfinished projects and painting the many unpainted canvases and wooden surfaces I’ve collected. Here is one of them.  A wooden shelf that’s been sitting in a pile waiting to be painted from Baltimore to Bogotá to Caracas.  So last week I slapped on a layer of gesso followed by a layer of blue acrylic paint and let it sit on the floor a while.  I figured eventually it would tell me what to do with it.

I should probably mention that since I started working on so many paintings at once, and since Owen got tall enough to reach my paints, I rearranged the guest room and am once again I am enjoying a full studio, with paintings spread out all around me.  It really is a nice set up, a room with a view even.  The one exception being the bed….which I have moved to the side and am hoping to convert into a sort of loungey couch to lure visitors into modeling for me. Which leads me to my second point. I recently declared defiantly to someone who was telling me to paint more portraits that I was intent on painting more of my botanicals, only to realize a few days later I had an awful hankering to paint a person.  The thing is, mind you, that there really is a difference between painting commissioned portraits and simply painting people.   Don’t get me wrong, I do love the challenge of painting portraits.  But I love painting people in my own,  more naturalistic hand, letting the basic geometric forms of the face come forward.  This painting, of my husband, is only a few hours in and probably a few hours from finished.  Still, I don’t plan on polishing it a whole lot.

Read Full Post »

I try to be conscientious in my creativity. I use discarded materials as painting surfaces and I paint with water soluble non toxic oil paints. Yet recently, something had been weighing on my conscious. A stack of unfinished paintings, in various states of progress, some started and abandoned in Bogotá, others started and left untouched since the first months of my marriage, over three years ago. Not to mention half empty books of canvas paper I lost interest in.

Yes, I have several people interested in portraits at this time. But lets face it, I have an ADD style (and what artist doesn’t?) so I am usually working on more than one piece at a time. I am tired of cringing every time I pass these wooden and paper ghosts in the closet. I am taking them out, and finishing them.

How I wish I had a photograph of this painting from before! It was atrocious! I started it in April 2007, and worked on it now and then over the next year. The colors were very dark, and there was a bird, and a pink bracelet hanging over one branch. When I sat in front of it Saturday night I was horrified and overwhelmed. And then, inspired by some Emilio Pucci images I had been researching, I decided to go purple. After an hour, although not anywhere near done, the painting was transformed. It was now something I was excited to work on! Although in the light of the morning it did not look nearly as colorful or purple.

Then I went REALLY purple.  It occurred to me suddenly that this was a night painting, that the tree was lit from within, perhaps from lanterns for a party, perhaps because it is a tree house.  I was hoping I would have photos of it in a more finished state for today, with flowers even but this is as far as I’ve gotten.  I have a heavy hand (or you can call it “painterly” if you want to flatter me) and sometimes the paint needs to set a bit before I can continue.  Also, I was working on these two paintings.

These are two halves of a wooden box. FYI: I would love to find some old wooden boxes to repaint, if you have some you don’t want, send them my way!

The first one is a collage.  The  background image is torn from an old book. The tree was part of an acrylic painting on canvas paper I did in Bogotá, that I cut out with an exacto knife.  Why is a long story, but other parts of that painting, including another tree, Charlie, and Tom, are still waiting to me collaged into new works.

The aloe plant sat in my studio in Bogota and I miss it to this day. If only we could take our plants from post to post!  I painted this there, but it was a little rough around the edges.  I freshened it up this morning and am quite happy with it.

Not sure yet what do with the outside of the box halves….

Read Full Post »

I thought I had conquered the Never Ending Painting the last time I posted about it, and I emailed a photo to it’s future owner.  He got back to me Monday and said he liked it, but the the front mountain looked a bit yellow and the center bushes were too bright. So bright that your eye was drawn to the bushes, instead of the mountains.  I took a look and realized just how right he was. Still, I thought, this is a quick fix! That night I told my husband “I’m going to finish this thing, give me half an hour…you can time me!”

More than an hour later I actually got to the bushes.  Those damn mountains drew me in again, screaming “pay attention to us! We aren’t finished yet!”  It…just…never…ends.

When my friend and I first discussed this project, he sent me tons of photos, and what drew me to this image was that unlike many of them, it had four components; the sky, the canyon, the river, and the greenery.  Yes, the Grand Canyon is amazing and beautiful, but somehow it doesn’t always translate well into photography.  It ends up looking like a hunk of rock.  And as someone who’s been there, it truly is beautiful.  So I suppose I thought by having these other components in the painting I could make it more dynamic.  I was reminded by my friend’s complaint, and by my hours of painting last night, that this is a painting about mountains.  It’s more fun (and fast) painting sky and rivers, but every painting has a subject  and the subject of this painting, the star, if you will, is the canyon.  I’m painting it’s portrait, and it simply couldn’t be finished until I stopped grumbling and did my best to capture it.

I hope I’ve finally done that.

Read Full Post »

And so, the story of my never ending painting continues.  This was my state of progress yesterday morning.  I vowed to finish it that same day, once and for all.  And my little men vowed to do all they could to help/distract me.   One of the little men was particularly distracting (one clue, the little man with less fur) as his first molar is making it’s first appearance.  Mi hombre comelon didn’t even want to eat!

The evening ended very strangely indeed, with a highly anticipated aguacero, and Owen insisting on being sent to bed without supper.

Yet more curious than all of this, was the smell.  At first I thought I must be imagining it.  But my husband assured me it was quite real.  “This country is on fire” he said, “that’s the smell of the rain putting it out”.

………………………………………………………………………………………………………………………………………

I was woken up AGAIN at 5:00 this morning, but to a seemingly more happy Owen, who eventually ate his breakfast.

…And possibly, we have come to the end of The Never Ending Painting.  At least, I think so.  I’ll probably touch it up here and there over the weekend.  But it’s looking pretty done to me.  What do you think?

Read Full Post »

Older Posts »